Reese is set the task of protecting their new POI; Caroline Turing, PhD (Amy Acker), a high-end psychologist who works as a therapist to an extremely powerful and secretive client list. Finch's attempt to hack into her system to get more information about her fails, forcing Reese to go into therapy with Turing in order to get closer to her. Fusco attends a meeting of HR's leadership, and learns that HR has been hired to kill Turing. Reese intervenes in the initial attack, and hides her in a high-end hotel downtown. HR finds their location, as well as the FBI task force led by Agent Donnelly, who is still hunting for Reese; both corrupt cops and federal agents converge on the hotel and lock it down, cornering Reese and Turing. Carter's suspicion that Fusco is working for HR comes to a head, and she corners him at gunpoint, only to learn he is working with Reese and Finch as well. With covert help from Carter and Fusco, and some technical magic from Finch, Reese manages to get Turing out of the hotel alive, and stays with Carter and Fusco to take down the HR members while avoiding FBI capture once again. When Finch arrives at his designated rendezvous with Turing, he is instead confronted at gunpoint by Alicia Corwin, who has been following Finch. She accuses the Machine of killing Nathan Ingram, a belief Finch denies, and demands his help in shutting the Machine down, tired of her life of running from it. Turing arrives by surprise and kills Alicia, revealing herself to be "Root", the hacker from "Root Cause", and that she hired HR herself, willingly putting herself in danger to capture Finch for interrogation about the Machine. Reese arrives only to find Alicia's dead body and Finch missing. While Carter and Fusco anonymously reveal HR's membership to the FBI, Reese talks to the Machine itself, staring into a nearby surveillance camera – Reese, labelled as a Machine asset, asks the Machine to help him find Finch. A nearby pay phone then rings, which Reese answers.
Air Date: May 17, 2012
Written by Greg Plageman & Jonathan Nolan and directed by Richard J. Lewis.